In May 2023, Hollywood production ground to a halt as the Writers Guild of America, a union representing over 11,500 screenwriters, went on strike. One major contention these writers have is how they are compensated for the shows and movies people watch on streaming platforms. Underneath this issue, though, lies a bigger question, one that screenwriter Michael Russell Gunn explores in this essay: how do AI technologies threaten not just Hollywood but “the future of human work”?
- What are two significant ways AI technologies could change the entertainment industry, according to Gunn? Whose jobs could AI technologies replace?
- Locate where in his argument Gunn inserts a naysayer. Summarize this naysayer in your own words. How does Gunn use the strategies explained in Chapter 6 to name his naysayer, present their view, and respond to their argument?
- What does Gunn mean when he says that Hollywood writers are “the canaries in the coal mine”? Why should people other than Hollywood writers care about the Hollywood writers’ strike that started in May 2023? How does he use metacommentary to steer his readers’ attention to this central point of his argument?
- Watch the PBS NewsHour interview with Tom Hanks about the Hollywood writers’ strike that began in May 2023. Hanks explains that at the heart of the strike is how the public decides to pay for the entertainment they consume, what he calls “the contract the audience has with the storytellers” (4:48). Respond to his argument, and in your response, reflect on how you watch TV and movies. Do you feel like you have a “contract” with the storytellers who create TV and movies? What factors (i.e., cost, convenience, quality, representation) influence your decisions about what content to watch and how to watch it?
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AI technologies could revolutionize content creation by automating the process of scripts and visuals. The author hints that AI has the potential to replace human involvement in writing scripts. AI generators have the ability to create realistic images and create deep fakes. The passage mentions the capability of AI to absorb scripts and generate visuals indicating that AI could replace roles involved in visual effects (VFX) and potentially alter or create images without human intervention.
The naysayer’s point of view is driven by the belief that there will still be a market for human based content creation. They draw a parallel to how people appreciate and purchase craft beer and handmade jewelry suggesting that there will always be a niche for content created by humans despite the rise of AI-generated material. The author Nunn presents the naysayers point of view and states their claim, as well as responding to the claim presented.
When Gunn refers to Hollywood writers as “the canaries in the coal mine ” he is using a metaphor to suggest that the challenges faced by writers in Hollywood are indicative of broader issues that will affect other industries and workers. Other people should also be concerned about the issue because it affects jobs in various other industries not just Hollywood. Gunn encourages readers beyond Hollywood writers to care about the strike by using metacommentary. Metacommentary is a technique where the writer comments on their own writing or argument.
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The use of Artificial Intelligence (AI) is a growing epidemic throughout the world, and there are many different opposing issues that arise with the use of it. One of the issues that has been spoken about is the use of AI for Hollywood production films or Tv series. This impacts nearly everyone in the industry considering how you can use AI to write scripts for movies or Tv shows. This causes ghostwriting to occur, and many screenwriters have started to go on strike to make people stop using AI for script writing as the Michael (the author) states in the post. The use of AI for writing scripts is foul play, and I believe it ruins the very thing that makes films enjoyable and its creativity. Using AI will drastically decrease the amount of creativity poured into these film projects. Not only do the screenwriters get negatively impacted by this but the actors also get hurt using AI because they can use a tool called “Deepfake” which allows people to put an actor’s face on someone else’s or they can just fully integrate a fake “actor” into the film without actually having the actor be there for the film. These actions negatively affect the future of human work and jobs as stated by Michael in the blog post, and I whole heartly agree with this statement. People in the film industry are going to be harmed and the idea of having people being created by AI in films seems unenjoyable and very uncanny.
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After reading Michael Russell Gunn’s article, I found myself agreeing with his concern that artificial intelligence could dramatically change the future of creative work. One point that stood out to me was his argument that this strike is about much more than Hollywood writers. It is really about protecting human creativity before technology begins replacing the people who bring stories to life. Gunn explains that AI has the potential to affect not only writers, but actors, editors, designers, and many other creative professionals if companies begin choosing automation over people simply because it costs less. That made me realize this conversation extends far beyond Hollywood and raises important questions about the future of work in many industries. As someone who hopes to become a film director one day, this article connected with me on a personal level. Storytelling has always been about sharing human experiences. Every great film begins with someone’s imagination, memories, struggles, victories, or dreams. Artificial intelligence can recognize patterns, generate dialogue, and organize information, but it has never experienced joy, grief, sacrifice, or love. Those experiences shape the stories that move people emotionally. As filmmakers, we are not simply creating entertainment, we are creating stories that help people understand themselves and the world around them. At the same time, I do not believe AI should be viewed as something that must be feared or completely rejected. Throughout history, filmmaking has continued to evolve through new technology. Digital cameras, computer-generated imagery, streaming platforms, and advanced editing software all changed the industry, yet none of them eliminated the need for talented storytellers. I believe AI will become another creative tool. It can help writers organize ideas, assist with research, improve efficiency, and even help overcome creative blocks. However, the tool should never become the storyteller. The imagination, emotional depth, and purpose behind a story should always come from the person creating it. This article also reminded me that audiences have an important role to play. Every time we decide what to watch, purchase, or support, we influence the future of filmmaking. If audiences stop valuing original stories created by real people, studios will naturally invest more in automation. On the other hand, when audiences continue supporting films created by writers, directors, actors, and artists, they send a message that authentic storytelling still matters. In many ways, the future of creativity is not only in the hands of filmmakers, it is also in the hands of the people who choose what stories deserve to be told. In the end, I agree with Gunn that this discussion is much bigger than the Hollywood writers’ strike. It is really about deciding what role technology should play in creative work. I believe AI should expand human creativity, not replace it. Technology can make artists more productive, but it cannot replace the imagination, life experiences, and emotions that inspire meaningful stories. The best films are not remembered because they were created quickly. They are remembered because they made us feel something that only another human being could have imagined.
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